STRUCK by Jennifer Bosworth -- The Book Trailer

I warned you this day would come.

You read my book review (you didn't? Read it now!)

You already pre-ordered the book (oh, come on... you're killin' me here)

You've visited her new website (just go...)

And now, the event you've been waiting for -- the epic book trailer for STRUCK.

Tell me that isn't brilliant. I am blown away by the book trailer. They should have just filmed the rest of the book and they would have had the movie released at the same time! Her husband Ryan Bosworth is the director. Yes, he's a badass.

As you may recall, I was one of the extras. I know what you're thinking. "Dude, where are you?"

Two guesses.

Hmm, no. I am not the prophet, the creepy dude with cataract eyes.

One more...

Okay, I'll help you. I'm the dude at the far left of the screen at the 00:33 second mark.

What do you mean you can't see me? Look again. Silhouette of my glasses... proud nose.

Still can't see it? Here it is.

Okay fine. So you can barely see me... but I really was there. And I really was epic.

I tell you what, go to Jennifer Bosworth's Facebook and "friend" her. You will find dozens of pictures from the shoot.

Here's one. Yes, that's me on the far right.

You will also find that she's one of the nicest people you'll come across. Which explains why she writes about the end of the world, or writes screenplays about murderous psychopaths. Word to the wise: be nice to her. You may end up in one of her books!

Okay, this concludes Ara's one second of fame. The good news is that I still have a whole 14 minutes and 59 seconds left. My services can be hired for a nominal fee.

Fight the good fight!

STRUCK by Jennifer Bosworth

"A girl struck by lightning hundreds of times holds the fate of the world in her hands."

That's on the cover of the advanced reader copy of Jennifer Bosworth's debut YA novel STRUCK.


With that hook, I didn't need much more to jump right into the novel. But there's more to the story...


Full disclosure: Jennifer Bosworth is a friend. No, not just a Facebook "friend"... I've actually met her. I even provided my extraordinary acting skills (stop laughing!) to the production of her book trailer (okay, so I was an extra... I was still epic!). Needless to say, even without the killer hook, I was more than ready to read this novel.


As I cracked the book open, an unfortunate memory came to mind... I had just finished another YA novel that had left me disappointed (I'm being kind).


That "other" book felt formulaic, contrived. Somethings I could forgive, like forcing a love triangle. Other things were not excusable, like not finishing the story just so there can be another book twelve months or so later. Then I realized, I was seeing a lot of that lately...


Are you in my state of mind yet? I had been looking forward to STRUCK for months, now another book had left me a bit jaded. 


But I had faith in Jennifer. After all, she's a Stephen King fan. She wouldn't let me down! (no pressure)


So, you ask, was the book good? 


Well, yes. It was great! 


And it was great without formulas... instead, she relied on something very old-school... story telling. 


Many can write a book, very few can write an engaging story.


The first thing that you'll notice is that  STRUCK is written in first person past tense--and I loved that. It was very appropriate for this story. It reminded me of campfires with friends spinning a good story.


Then you meet Mia. She is the lightning addict, the answer, the problem, and the voice of the story. A memorable character whose imperfection and inner struggles make her vivid and memorable.


This is a sensory-rich book. Because Jennifer Bosworth is a screenwriter, she was able to harness her magic to create a visual world. To her credit, she does this without inundating the reader with mind-numbing detail. She gets us there with just the right amount of context and detail. 


Also, the scenes are crisp and the chapters tight. Long chapters mean long scenes. Long scenes usually translate to slow pacing. Slow pace feels like a marathon (marathons are overrated). This book starts fast, then transforms into a sprint!

And when the book ends, the reader is left complete. No need to wait 12+ months just to see what happens next, and next, and next. You get the story all in one book. How quaint!

Finally, for me, the hallmark of a good story is when at the end I am left stranded in the story world--not quite ready to leave. And that's what STRUCK accomplished. A great book, written by a talented story teller. 


I highly recommend STRUCK by Jennifer Bosworth. It will be released on May 8th, 2012. You can go on Amazon or any other booksellers and pre-order it today. 


I thought this blurb captured the essence of the novel nicely:


“Cinematic! Struck builds into a massive, darkening, electric storm of a novel.” —Jay Asher, author of Thirteen Reasons Why and The Future of Us


I would have said those same words, but Jay Asher beat me to it. Well played, Asher. Well played.


When the book trailer is released, I'll warn tell you all about it. I really do think I was awesome... even though after all that is said and done, my 1.7 seconds of fame will probably ended up on the editing room floor... That's show business folks! :)

"It's about the story, and it's always about the story." ~ Stephen King -- On Writing

Fight the good fight!

Dream Agents: The showdown

Searching for an agent?

As a loyal, devoted, rabid fan of mine, you will recall that some months back, I blogged about my dream agent. Cut to the chase, I said my dream agent is Martin Short in the cult classic movie the Big Picture, with Kevin Bacon.


Go read it, then come back.


Good. So with that in mind, I had to share with you my new dream agent. I saw this posted on The Southern California Writer's Conference Facebook page, so I just had to share it.


I need you (my friends) to understand why it takes so long to finish a novel--even after you think you're done.


You want opinions, so that you have a comfort level with the "goodness" of it, or said differently, you hope it doesn't suck. You want it to shine. Hence, you enlist the helpf of others. 


Most professional readers (agents, editors, etc) are very good, and when they give feedback, they are coherent, amazingly sharp and perceptive. In other words, they make your story better and your writing better. The only real way I found you can get this type of help is at conferences that accept submissions for agents and editors. 


Some so-called professionals, however, are all over the place, leaving you to wonder, did he/she read my work? Or is he/she asking me to be the ghost writer of the story he/she hopes I will write? This can also be true with writing groups. You need to pick well, otherwise you will be writing their story, not yours.


Yes, this video is a comedy sketch... but I will say this: I recently had a very similar conversation with an agent. Let's leave it at that :)


Enjoy!

And just to be fair, here's Martin Short, once again:

I must admit, I don't know which one is my favorite... Which is yours?

Fight the good fight!

Sticks and Stones?

-- Sticks and stones may break my bones (but words will never hurt me) --

It's a cute saying. False, but cute nonetheless.

Photo credit: Photoshop Player 2009 on Flickr

The fact of the matter is that the impact of words last far longer than a bruise or a broken bone. Words can shatter. Words can alter. Words are powerful.

Think of the words that continue to haunt you since high school. Think of the word that your significant other said, only once, but you never forgot. 


(Before you lecture me, yes, I get it -- the rhyme's goal is to encourage the reader to not allow words to hurt them, because after all, they are only words... audible expressions of air... tell me how that works out for you)

As writers, we have a fundamental issue to reconcile. We aspire to get our work in front of as many readers as possible. But do we really? Are we ready to take what comes with the territory?

I've met some writers, and know of many more, who have yet to put themselves out there. They don't like to share their work with others, afraid of the feedback. They don't want to be critiqued publicly. Not yet, they tell me.

Then there are those who do have their work our there, and the first negative comment on Amazon, or critical book review by a blogger causes a meltdown. Their reaction is either a public embarrassment or a psychological breakdown that throws them off track.

It seems to me that a successful writer is the resilient writer. 

FADE IN: Definition by dictionary.com

re·sil·ient

adjective /riˈzilyənt/  (of a substance or object) Able to recoil or spring back into shape after bending, stretching, or being compressed (of a person or animal) Able to withstand or recover quickly from difficult conditions

FADE OUT

I used to say that athletes were the most resilient type of people out there. Have you seen how a football or rugby player gets squashed by another giant? The very next moment, they're up on their feet, spitting out a tooth, then smiling. 

But I've come to realize that if a writer wants to last and produce material for a few decades, then they have to become the poster boy/girl for resiliency. 

My friend Webster says a resilient person can 'recover quickly from a difficult condition.' Check. Writers are bombarded by the most damaging type of 'difficult conditions.' We are judged and punished by words for our words, for our art, for our babies. 


They're judging us! Us! Who do they think they are?

Reality check, the best are judged and critizized. King, Rowling, and everyone before them and after them have been told and will be told they suck. This is the nature of art. More than ever, everyone is a stinkin' critic. And you can't stop the democratization of opinion. 


How will you handle it? Will you implode, or will you sit in front of your computer and produce more? 


Butt in the seat, or your face in the sink? Choose.


Only one will produce art and make you better. Only one will stop you from pursing your dreams.

Words by others will hurt. And that's okay. We need to absorb that, acknowledge them then move forward--always move forward. If we're going to let words hurt us to the point that they stop us, then maybe we should consider an easier vocation. Maybe rugby?

Fight the good fight!

Occam's Razor and Advice by Stephen King

Sometimes we overthink things.

Okay, maybe you don't. I know I do. Sometimes.

And sometimes, there are advice out there that go right to the heart of the matter.

You may have heard of Occam's razor (or Ockham's razor, depending which part of the planet you're from). This principle says that when there are various competing hypotheses, the one that makes the fewest assumptions is usually the correct one. Basically, the simplest explanation is the most plausible one.

Stephen King was asked what advice he would give newbie writers. In this short one-minute clip, you will learn all you need to know about being a writer.

Is is simplistic? Maybe. 

Is it accurate? Does it go right to the heart of the matter? Can you in any way-shape-or-form dispute it?

Sometimes we overthink things. And instead of being stuck with thoughts that paralyze us, maybe we should be engaged in the act of doing. 

Write a lot and Read a lot.

Fight the good fight!

Query Letters -- Love or Hate?

I hate query letters

That's not completely true. I hate that to the writer, the query letter is seen as the chasm between unfulfilled dreams and a career.

winnond / FreeDigitalPhotos.net

Query letters are how your manuscript lands into the hands of your dream agent, assuming you need an agent. And to be clear, my dream agent is still Martin Short from the Big Picture.

But the query letter doesn't have to be seen in such a limited way. My recommendation -- even if you're going independent, self-pub, small-pub, or Irish pub, you should still do the query letter.

Before you send the mob to my house, here me out.

I've spent considerable time and brain cells (what little I had left) on this topic. I am convinced that when you develop the query letter, it will highlight gaping holes or issues in your story. If you've been struggling with your query letter, the issue may not be the letter itself, it may be (ghasp!) the story you've written.

So I've made a solemn oath. I will write a query letter, before I've started to write my next story. Call this a story treatment if you like. But the approach is sound and powerful if used properly.

After countless hours of research (mostly on Super Agent Janet Reid's Query Shark, but also on dozens of other sites) I have compiled my notes for you:

1. Focus on the Action: leave out the backstory. Most queries give too much description. Probably because we feel like we need to explain why we are where we are, etc. Get to the heart of the matter and fast. Show it. Use powerful verbs. In other words, trust yourself as the writer. Everyone has a backstory. Only your protagonist is about to get into this specific problem.

2. Who is the Protagonist?: Who is the hero/ine? Wee need to know very quickly. Janet Reid recommends opening the query with the hero, in action, facing a problem. Also, only mention the most important characters -- no character soup.


3. What is the Problem?: Start with where the protagonist has a problem (the inciting incident, the disturbance). Again, show it. Let us feel the protagonist's problem. Let us care for her and what she's going through.


4. Compelling, interesting Villains: Boring villains mean boring story. The antagonist has to be so bad that you love him. Think silence of the lambs. 

5. What are the Stakes?: They need to be high. Saying, "He just got laid off," is sad, but not enough to carry an entire story. The stakes need to be high. James Scott Bell says there needs to be a feeling of impending death (actual or psychological). High stakes raise difficult choices...

6. Choices, please: The choices your protagonist faces must be explicit and compelling. If the choice includes, "she'll walk away," then there's no story, is there? Real choices. Though ones. Gut wrenching ones. If Katniss Everdeen does not survive the Hunger Games, her sister and mother will most certainly die. They have depended on her for everything. She volunteered to save her sister. She must survive, even if it means killing the boy whom she has known since she was a child. Tough choices, make for high stakes.

7. 250 words please: General acceptable theory says your query letter should be one page -- but one page can go as high 380 words... maybe more. By sticking to the 250 word count, you are forcing yourself to be succinct and stick to the core of the story. If you're doing this for the benefit of developing your idea you'll be tempted to cheat -- but you shouldn't. Get your main plot down. You will be able to overlay your subplots later. But no matter how many smart sub-plots you add, it will not make up for a flawed main plot. Make sure your main story rocks.

8. Rhythm: You need to develop an ear for rhythm. That's accomplished by reading your lines out loud, We've talked about this, reading out loud is a good (critical) practice. This practice will also highlight clunky writing. Reading out loud tells you when "They are" sounds better than "They're." Rhythm will also establish the tone and voice of your story.


9. Entice: The whole point is for the reader to say, "I want to know more." As you write the query letter, you should get excited too! Your blood should be pumping, and your fingers should be ready to explode with words.


10. Test: Let your writer friends read it. Get their input. Not only for proof-reading (which is critical, of course) but to see if they get it, if they're excited, if they want to read the manuscript. A good query letter/story treatment should sell itself.


As for me, I have to apply all the above to my query letter and story. 


I'd love to hear your thoughts on this. Do you have anything to add to this list? I'm sure you do. You can tell uncle Ara :)

Fight the good fight.

Fail Gloriously!

My eight-year-old wanted a skateboard for Christmas.

I wasn't crazy about it. My wife wasn't crazy about it. Yet, Santa apparently chose to fulfill his wish.

Needless to say, he was giddy with excitement. And in his excitement we were happy. My wife even went on YouTube with him and found how-to videos by the man, Tony Hawk. All was good.

For a few days, all he did was practice on that thing. During the day, in the yard. At nights, in the house. I cringed when I saw the scratches on our hard-wood floor, but turned a blind eye.

One night, while I wrote, I heard a thud from downstairs. "You okay?"

"Um, yeah."

I went back to my work. Ten minutes later, another noise. "What happened?"

"Nothing. I'm practicing."

I knew better than to just walk away, but I did. Five minutes later--you guessed it--a louder bang.

I inspected the war area... I would have been justified to get mad, take away the skateboard and tell my wife I told you so. But I didn't.

I can replace plaster and paint. I can't take away words that will forever tell him that failure is bad.

You see, I'd been breaking my own "plaster" upstairs. I'd been struggling with my writing. Trying and failing. Trying and failing.

There is nothing wrong in failing. Implied within failure is that you gave it a shot, you tried. And more importantly, you tried again.

If you're hitting walls, don't give up. Don't talk yourself out of it. There are plenty of people in your life (including the little voice in your head) who will convince you that you're not good enough, smart enough, creative enough.

Fail. Fail gloriously.

Some of us will understand and applaud you for trying. And do me a favor--once in a while, remind me that It's okay for me to get it wrong too.

I've missed more than 9,000 shots in my career. I've lost almost 300 games. 26 times, I've been trusted to take the game winning shot and missed. I've failed over and over and over again in my life. And that is why I succeed.

~ Michael Jordan

Fight the good fight!